(Oboler already announced he would make a second film in the format, Spear in the Sand with Lisa Howard. The title of Oboler’s film was changed to Bwana Devil in June 1952. Howard Duff and Hope Miller were the first stars signed.Įventually Duff and Miller dropped out and were replaced by Robert Stack and Barbara Britton. It was always going to be in Natural Vision. He said it would be called The Lions of Gulu and would include footage shot in Africa several years beforehand. Oboler announced the project in March 1952. Oboler said he had overheard Joseph Biroc and the camera crew talking about 3D while filming The Twonky and Oboler became interested. Oboler was impressed enough to option it for his next film project. Milton Gunzburg turned his focus to independent producers and demonstrated Natural Vision to Arch Oboler, producer and writer of the popular Lights Out radio show. Only John Arnold, who headed the Metro-Goldwyn-Mayer camera department, was impressed enough to convince MGM to take an option on it, but they quickly let the option lapse. Both Columbia and Paramount passed it up. 20th Century Fox was focusing on the introduction of CinemaScope and had no interest in another new process. Cinerama had premiered on Septemat the Broadway Theater in New York and was a success there, but its bulky and expensive three-projector system and huge curved screen were impractical, if not impossible, to duplicate in any but the largest theaters.įormer screenwriter Milton Gunzburg and his brother Julian thought they had a solution with their Natural Vision 3D film process. Television was seen as the culprit and Hollywood was looking for a way to lure audiences back. By 1951 film attendance had fallen dramatically from 90 million in 1948 to 46 million.
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